Tuesday, 17 July 2012

Vampirism: A Modern Trend?

Ladies, gentlemen, not-so gentle men, ladies who look like men, men who look like ladies, ladies who look like ladies but feel like men, those undecided on their genders and those who’ve read so much Judith Butler that they no longer believe in genders; it has recently come to my attention that vampires are fucking everywhere.

Allow me to explain: I’m not proposing that the hemoglobin-infatuated hellspawn are literally fornicating the world over. No, that would just be silly. What I mean to imply is that the horny blighters appear to have entered into every facet of our culture!

The last thing you want to see you daughter (or boy, as we must be tolerant) playing with: a pony that could KILL YOU!
From Twilight and Tru Blood to Vampire Diaries and the newly-released My Nosferatu Pony, one can’t deny that fangs have overtaken Apple as the world’s biggest brand; and with Steve Jobs; current 'state', it won’t be long until even Apple succumbs to the undead bandwagon.

“Yeah, you may metaphorically suck the life blood from third world countries Bill, but I literally drain the living of their life giving juices! Jobs one- Gates nil. Even death can’t stop you, when you own an apple. Our virus support is just that good!”

Yeah, you may metaphorically suck the life-force from third world countries, Bill...
but I literally drain the living of their life-giving juices!

Jobs 1 - Gates nil. Even death can't stop you, when you own an Apple. Their virus support is just that good!


So, how is it exactly that our culture has become so infatuated with the Vampiric? It’s actually quite simple - all one has to do is go back to where it all began: in the fires of Mount Doom - cough, cough - sorry, I really must fight the urge to reference popular culture. As I was saying: sit back, pop the kettle on and settle down for a little bit of story time...

'3 May. Bistritz. – Left Munich at 8.35pm on 1st May, arriving at Vienna early next morning […]'

Oh, sorry, I appear to have chosen the wrong vampire-related story. Let’s try this again shall we?

'My mother drove me to the airport with the windows rolled down. It was seventy-five degrees in Phoenix, the sky a perfect, cloudless blue. I was wearing my favourite shirt – sleeveless, white eyelet lace; I was wearing it as a farewell gesture. My carry-on item was a parka […]'

No, wait, still the wrong story. What is this trash? 'My carry-on item was a parka' - what’s next? Sparkling vampires falling in love with a poorly rounded narrator? Not on my watch! Enough of these shenanigans and back to the point at hand!

'The time is now.

We are in a small room with the vampire, face to face, as he speaks—as he pours out the hypnotic, shocking, moving, and erotically charged confessions of the first two thousand years of the living dead […]'

Much better…

“Well you see, in the beginning… we weren’t what you see today. Nowadays you see Colin Farrell topless doing battle with Doctor Who, or you see some actress with the charisma of Keanu Reeves crying to this prick:

Oh my God, this picture balances his good and bad aspects so amazingly! So immensely artistic!

See, it wasn’t like this back when I started. Back when I started it was a cruel, savage act being turned; kind of like a more homoerotic press-ganging. Let’s just say you were lucky if your immortal life didn’t start with an anal raping. Well I guess in those respects… it was just like a press-ganging… come to think of it I don’t even have fangs. I’m not even a vampire if I’m honest. I’m just some poor sod who got done from behind and thrown on a boat. I don’t even like the dark if I’m honest; it brings back bad memories. All that rum and salt, I shudder at the thought; I’m so sorry I can’t do this…”


The Vampire has turned away, tears streaming from his face; a brief shower to wash away the dirt-ridden entrails of his past. Sorrowful he makes for the door, grimacing at the picture in the hall. Now angered by the image of some sea-born vessel he’s fled in a fit of rage, his hands across his rear in defiance of what had been.'

Well… that explained... nothing… yeah.

Sorry about that. I have no excuse for what you just read. MY BAD! So, where were we…? Ah, yes, where did our culture’s affinity to the elongated canine begin? When was society first taken ill with Sanguinare Vampiris? Well, it may or may not surprise many of you that the Vampire is far older than Bram Stoker’s Dracula. In fact, myths speaking of Vampiric beings have been told around the entirety of the planet for thousands of years. Some have even argued that the vampire myth may stretch back to prehistoric times.* It wasn’t until the early eighteenth century, however, that the concept of vampirism really hit the mainstream. This was due to the rising number of vampire legends in the Balkans and Eastern Europe. Vampire superstitions got so bad in Europe, in fact, that they grew into a hysteria with numerous stakings across the period. So, if you ever travel back to the eighteenth century… don’t sleep in a coffin: it’s not advisable.

It wasn’t until 1819, however, that literature was allowed to bare its fangs. The first published story about the blood suckers was John Polidori’s novella The Vampyre. It was this work that transformed the vampire from an abhorred, undead beastie into the charismatic aristocrat we see in Dracula. Polidori tells the story of Aubrey – a young Englishman – following the mysterious Lord Ruthven – wonder who the vampire is – on his travels about Europe. The story itself was highly successful and lead to numerous tales of Vampiric intrigue being published from this moment on; one such work being the somewhat confused penny-dreadful Varney the Vampire (1845). Woe and behold, this told the story of an aristocratic vampire named… any guesses? I’ll give you a clue: it rhymes with (but isn’t) 'Barney'. There were no giant purple dinosaurs in this story, children… sorry, maybe next time.



We’re not there yet, folks. Many more tales of the Nosferatu were published before Stoker made the term popular in Dracula; one such story being Joseph Sheridan Le Fanu’s 1872 tale of a lesbian Vampire, Carmilla. This itself helped in starting off the long-lasting partnership between homosexuality and Vampirism. Come on, you can’t say you’ve never noticed it… even Dracula’s a closet gay…



It was not, in fact, until 1897 that Bram Stoker published his stand-out novel (which also happens to be the only one he wrote still in print), Dracula. So, as you can see, Stoker in no way created the Vampire. He didn’t even sculpt the archetypal aristocratic beastie we all know and love. Far from it: he is in fact just another stepping stone in the trail of Vampires across history.  What Stoker did do, however, is bring Vampires to the novel form. He took them from the realm of penny-dreadfuls and short stories into the newly-erected Kingdom of the Gothic Novel!




So, as you can see, Vampires are not merely some modern outbreak. They’re not like foot and mouth or bird flu, a recent phenomenon and passing trend. No, they’re far more. Vampires have been around as long as language. They’re a mythology that’s lived alongside mankind since the beginning.

In many ways, this is the magnificent thing about Vampires. Not only have they always been there within our culture, but they’re constantly changing, innovated by the world around them. For example, in 1895 there was the first cinema screening ever and it only took until 1913 for The Vampire to reach the big screen, a film shortly followed by F. W. Murnau’s masterpiece, Nosferatu, the first true Vampire movie and one to be followed by thousands more. By 2005, for example, Count Dracula had been the subject of more films than any other fictional character - if you’re to count the vampire itself and not just Stoker’s reincarnation, there’s many, many more...

With this in mind, is it any great surprise that Vampires are everywhere in our culture today? They have always been at the fore of cultural innovation and now in a world built around film, television and the internet the vampire myth is able to thrive even more so as the vampire brand. So when one argues that Vampires have taken over the last few years it’s not actually true. They’ve always been here: it’s society that’s changed. Now they’re not only confined to mythology or stories, but are able to thrive within a world of images. They’ve always been at the door: we’ve merely invited them in.

Now please enjoy some images of the Vampire's evolution over the years: thanks for reading.









Wow... Talk about devolving...
Shaun Beale
*Found in one of the many histories of the period.

1 comment:

  1. Excellent! A really comprehensive look at the history of the genre, and a few nicely placed digs at twilight. Only thing negative is I preferred the 'Leech' pun in the original title!

    Simon

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